Broadcasting Logo Examples

The logo for Olelo showcases a stylized white speech bubble enclosed within a rounded purple rectangle. The speech bubble aligns to the right side and creates a seamless contour with the edge of the rectangle. This design choice has a clean and modern aesthetic and hints at communication, conversation, or messaging services. The color palette of white and purple offers a strong contrast that enhances visibility and brand recognition.

The logo for Olelo showcases a stylized white speech bubble enclosed within a rounded purple rectangle. The speech bubble aligns to the right side and creates a seamless contour with the edge of the rectangle. This design choice has a clean and modern aesthetic and hints at communication, conversation, or messaging services. The color palette of white and purple offers a strong contrast that enhances visibility and brand recognition.

The News4Jax logo features a sleek and modern stylized number 4, formed by thick white lines and filled with flat, solid colors including red, blue, green, purple, and yellow. A thin grey line outlines the colorful shapes, maintaining a clean and structured look. The design is minimalistic and bold, utilizing color-blocking to achieve a playful yet balanced aesthetic.

The NPO Radio 1 logo is a simple and modern design featuring a navy blue solid diamond shape with a white vertical elongated oval in the center. The contrast between the dark blue and the white creates a bold and striking visual effect. The logo's clean lines and geometric shapes give it a professional and contemporary feel. The color and design are versatile and could work well across various mediums.

The logo presented for Quatro TV is a simple yet bold design comprising a solid, bright orange color. The design is a stylized letter "Q" with a distinctive cut-out portion that gives it the appearance of an electrical power button symbol. This clever design combines the letter and symbol smoothly, suggesting themes of energy, power, or technology while maintaining a clean, modern aesthetic. The shape is symmetric, and the thick lines convey stability and strength.

The MBC 4 logo is a stylized lettermark consisting of merged lowercase letters 'j' and 'u' in a modern, minimalistic aesthetic. The main body is a light grey color with a clean, sans-serif typeface, while the upper section of the 'j' features bright blue for visual contrast. The design showcases attention to negative space and geometric alignment for a professional and sleek appearance.

The History emblem showcases a stylized capital letter "H" in a serif font. The primary colors of the logo are a gradient of gold from light metallic gold to a deeper amber at the bottom. The substantial weight of the letter gives an elegant and bold appearance, reminiscent of luxury brands. Smooth lines and a distinct sharp foot at the base of the letter, highlighted by red accents, provide a striking contrast, enhancing its regal presence. The gradient and red accents convey sophistication and warmth.

The Puls 4 logo features a bold, stylized number "4" centered within a square. The "4" has a modern, geometric design, characterized by sharp angles and straight lines, giving it a dynamic and forward-moving appearance. The "4" and its surrounding border are in a vibrant and saturated magenta color, which provides a striking contrast and allows the figure to stand out prominently. The overall design has a minimalist and contemporary feel, with the use of negative space around the "4" enhancing its visual impact. Considering the vibrant color of the logo, a neutral and soft background would complement it well.

The BNT 2 logo showcases a bold, white number "2" in the center, set against a vibrant lime green square background. The sleek, modern sans-serif font of the numeral is instantly readable, with a playful touch from the slightly curved cut on the top left. The flat green background provides a striking contrast to the white figure, enhancing visibility and making the design pop. This minimalistic yet striking logo exudes a youthful and contemporary feel.

The Univision logo consists of a stylized shield divided into four quarters with a curved bottom edge. Each quarter is filled with a vibrant solid color—magenta, green, blue, and red, with a white background. The sections meet at the center with straight lines, creating a dynamic and modern look. The logo embodies simplicity and is reminiscent of a pie chart or a simplistic flower with rounded petals. Hexcode: #E9E5CF

The BBC Radio 5 logo features a large, bold number '5' centered within a circle. The '5' is displayed in a clean, weighty sans-serif font, evoking reliability. The vibrant turquoise color grants a fresh, modern feel, while the circular background promotes unity. The minimalistic design, lacking additional embellishments, supports a contemporary aesthetic. The contrast between the white numeral and the colored background ensures the logo is legible and eye-catching.

The Image TV logo is a minimalistic design featuring two basic geometric shapes - a central circle above a square, filled with solid colors. The circle is a medium shade of blue, while the square below is a vibrant red, creating a balanced yet contrasting effect. The clean lines and absence of embellishments give the logo a modern and straightforward appearance, suggesting clarity and efficiency.

The BBC Radio 4 logo has a bold numeral "4" at the center, set against a vibrant blue circular background. The '4' is stylized with sharp, straight lines and has no serifs, giving it a modern and digital feel. Its white color contrasts starkly with the blue, enhancing its visibility. The blue circle has a flat design without any gradients or shading, contributing to the logo's simplicity and contemporary appeal. The use of white space within the circle around the '4' further emphasizes the number, making it the focal point of the design.

The Rifey TV logo features a stylized representation of letters that appear to be "QR" in a bold sans-serif typeface. The design is geometric and modern, comprising a circle and two square shapes for "Q" and angular ribbon-like elements for "R". The shapes are interconnected, emphasizing unity and connectivity. The color is a deep, rich blue, evoking a sense of professionalism and trustworthiness. The simplicity of the design enables versatility across various media.

The Espreso TV logo features a modern, geometric and minimalist stylized letter "E" design. The logo incorporates a dark teal or turquoise square backdrop with a white abstracted "E" formed by rectangular shapes. An elongated red rectangle intersects the "E," suggesting connectivity or interaction. The overall aesthetic is clean, modern, and implies innovation or technology.

The Radio Televisión Canaria logo features a modern, abstract design with a dark blue half-circle cradling a set of three overlapping shapes in bright colors: green, orange, and a darker shade of blue. The design has a dynamic and tech-savvy feel, with the overlapping shapes suggesting connectivity or integration. The choice of colors gives the logo a bold and energetic appearance while maintaining a professional look.

The image is a stylish and modern logo, consisting of a white circular background that encloses a design that looks like an abstract rendition of the number '7' for ABC 7. The design is made up of two bold, swooping elements, one above the other, creating a dynamic sense of movement. The color palette is a gradient of blues ranging from a deep, rich blue at the top to a lighter, more vibrant blue at the bottom. The white dividing line between the blue shapes is smooth and adds a sense of division or duality to the logo. The overall aesthetic is clean, fresh, and would be well-suited to a corporation or tech company.

The KSTP TV logo features a stylized white numeral "5" centered within a rounded square of deep red color. The "5" has a modern and dynamic look, with a swirl at the bottom loop suggesting motion and vitality. Adjacent to the primary emblem is a smaller, solid navy blue circle that contains the lowercase white letters "abc." The design aesthetic is clean and contemporary, with a simple yet bold color palette that allows the figure to stand out. The contrast between the white, red, and navy elements creates a strong visual impact.

The Radio 1 logo is a stylized, abstract mark featuring a central figure resembling an arrow or geometric play on the number "1" within a rotated square or diamond shape. The central figure is white with two shades of blue creating depth and visual interest, suggesting movement or transformation. The use of blue tones lends a professional, trustworthy feel, while the dynamic shape implies innovation and forward-thinking. The overall design aesthetic is modern, clean, and versatile, suitable for technology or finance sectors.

The Channel Four logo is a bold symbol consisting of a stylized letter 'E' within a circle. The design features a dynamic cut or negative space that creates a visual play between the letter and the surrounding shape. The vivid royal blue color provides a strong contrast against lighter backgrounds, conveying a sense of professionalism and reliability. The overall design aesthetic is modern and minimalist, with clean lines suggesting efficiency and directness.

The Canal Sur logo presents a bold and modern design composed of geometric shapes. The central element is a stylized letter "C," colored in a vibrant shade of green and encased within a circle. Radiating outward from the circle are eight evenly spaced bars that create a dynamic sunburst effect, suggesting energy, growth, or radiance. The overall aesthetic is clean, with a strong use of symmetry and the contrast between the green and the surrounding white space emphasizes the logo's central icon. Given the colors and design, a soft and neutral background would complement it well.

The TVR Moldova logo is an abstract, fluid shape suggesting movement and dynamism. It consists of a gradient of colors transitioning from vivid blue to warm yellow and ending with a deep red. The design is sleek and modern with a glossy finish, creating the perception of a three-dimensional figure in motion. The curvature and looping tail end lend it an infinity-like or ribbon-twisting appearance.